I tend to make big changes seemingly impulsively. My move to Apple was on the back of a hissy fit caused by multiple crashes of an old PC (while trying to deliver to a client who had a rather hard-to-meet timeframe). My move to digital was the result of a single conversation with an image editor who complained about seeing grain in a digital scan of Fuji Velvia. Possibly I’m not being fair to myself and these decisions are actually made after months of thinking about it, but a single event causing everything to snowball into shape. So I’ll deliberate in my mind for months and then suddenly dive head first into whatever change it happens to be at the time (the decision to move house has been similar). The move to Capture One followed this thread exactly.
About this Blog
Photo Writing is the web version of the Photo Writing mini-magazine produced by Limephoto and Emil von Maltitz since 2010. As of 2015 it is now completely online. Feel free to browse through the articles and please leave comments in the comments section if you would like to engage with us.
Friday, November 23, 2018
Thursday, November 8, 2018
“The thing that interests me about photography and why it’s different from all the other media, is that it’s the only medium in which there is even the possibility of an accidental masterpiece”
Chuck Close in Photo Wisdom - Master Photographers on their Art
You could say that photography has sort of exploded over the last decade. It’s estimated that 17 trillion images were created in the last year alone. People who call themselves photographers will quibble over the equipment used and moan about the proliferation of cellphone wielding snapshooters, but the reality is that we have entered an era of the ‘every-photographer’. Platforms like Facebook and Instagram make sure that there is an insatiable demand for imagery to be created. Create we do as millions of people around the globe upload countless images of their cats, to their cars, to their vacations and more. What’s more, we have become addicted to fulfilling this demand. We get a small hit of endorphin when someone, somewhere, clicks a little heart to tell the photographer that they ‘like’ the image (the ridiculousness of this is that often those clicks are automated, but the receiver still gets a high). Slowly our perceptions of self-worth become moulded by the amount of views, comments and reactions we receive from our online images. The ephemerality of it means that an image last barely moments before it is superseded by another image, and then another, and another, and another.
Posted by Emil von Maltitz at 4:17 PM
Friday, November 2, 2018
As photographers we are now well past the days where we stored all our old film negatives in a shoe box in the closet. Now instead of several hundred photographs to sift through on a Sunday afternoon, we have tens of thousands of images that we need to sort through, store and somehow backup. It is an often articulated concern among the photographers that I engage with as to how to store all these images. More than just store the images, how do we keep them future safe and back them up in the case of loss or damage.
Posted by Emil von Maltitz at 9:23 AM