That photographic equipment is getting increasingly better and better is something of a truism. Considering lenses and cameras from twenty years ago, it’s easy to to see the progress that has been made both in imaging as well as in optics. Client’s expect these changes too, and you can look back at commercial images shot in the 90’s and it’s very easy to see the limitations that our photographic techniques offered. That’s not to say the images weren’t good. They were excellent. Photographic heroes of mine all shot on film with varied cameras from half-frame Olympuses to the Sinar 4x5 cameras. However, film grain, blown exposure and lens defects all contribute to a perceived ageing of the image…apart of course from the clothing styles and haircuts. No, today the images that are created are clean, sharp, perfectly exposed, devoid of blemishes….and all the same.
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Wednesday, July 7, 2021
A Love Letter to a Lens - My Voigtlander 40mm f2
Friday, July 2, 2021
Ain’t It Pretty and About Bloody Time! - First Thoughts on the Nikon Zfc
So, is the new Nikon Zfc a vanity project by Nikon, or a long overdue simple ‘dials’ and buttons take on modern cameras? As ever, the internet and commentators everywhere are divided on the issue. So this means that the Zfc is very definitely going to be a contentious design decision. Spoiler alert up front, I absolutely love the idea of the Zfc. It’s something I’ve been wanting Nikon to make, not for years, but for decades. I wrote this article back in 2011 essentially wishfully asking Nikon for a ‘retro’ take on the modern DSLR. Of course, Nikon did toy with the idea of a retro inspired camera in 2013 (yes it’s that long ago already) with the Nikon Df. This was a hodge-podge of parts that resulted in a clunky to use camera that was essentially a re-badged D600 with controls that didn’t quite merge the design ethos of analogue and digital (my take on the Df is here:). The Df continues to have its followers, but overall was not a sales success in the long term.