Owning property is a relatively simple thing. If I buy a camera it belongs to me. Proof of my ownership is exhibited in the form of a receipt from the company or person that I bought it from. Admittedly as the ‘thing’ becomes older the receipt as proof becomes less and less important and it’s simply taken as a given that this property belongs to me. If someone takes that camera from me without my consent, the law in just about every part of the world is fairly clear in that the person is a thief and has stolen the camera from me. For some types of property we continuously pay dues that confirm our ownership of that property (think of rates and taxes on our homes). Either way, the physical object has a definite owner.
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Wednesday, February 16, 2022
Monday, February 14, 2022
Photographic salons and competitions are not new to controversy. The World Press Awards, Veolia Wildlife, The British Landscape Photographer of the Year and now the International Landscape Photographer of the Year have drawn public, or at least photographers’ ire over the selected winning images and photographers. Less serious than the issues plaguing the World Press Awards over journalistic authenticity, the ILPOTY Awards this year did raise consternation in various quarters over the amount of digital manipulation inherent in a large number of the selected 101 top images, as well as the winning portfolios. The result is that we once again find ourselves with the that old question regarding PhotoShop; at what point is it no longer a photograph?
Posted by Emil von Maltitz at 2:15 PM