Photographers have a strange affinity with ruins. Some of the earliest daguerreotypes are of some of what we consider famous ruins now - the likes of the Parthenon - or of decrepit farm houses. Early photographs were used as a historical status quo image, creating a record of historical architecture, as was the case with the 1851 ‘Heliographic Mission’. This was an official mission to record historical buildings, many of which were in a state of ruin and which were earmarked for restoration or were in the actual process of restoration. Prominent photographers of the day, Hippolyte Bayard, Gustave le Gray, Edourad Baldus and Mestral were involved in this technical exercise. At this point the definition of “photography as art” was still in its nascent stages. This would form more thoroughly as the Calotype became more prominent in use.