Recently I wrote how I felt that the way a camera feels in the hand influences how we shoot with it; in fact whether we enjoy shooting with it at all. A friend wrote back to me that he also felt that the way a camera looked played a role in his enjoyment of using that camera. This got me thinking; not only about how the looks of a camera influence whether a photographer will enjoy, let alone buy a new camera, but also how the looks of the camera influence the person being photographed. The latter is probably the more important since it has a direct bearing on the final image. Will the person being photographed respond in a positive manner to being photographed, or will they act defensively or be intimated by the camera?
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Friday, December 18, 2015
The Namibian landscape has an almost hypnotic effect on me. I keep finding myself drawn back to it time and again. The Composing The Dunes workshop that I run with Nature’s Light (a new venture between myself and Nick van de Wiel) is one of our mainstays for the very reason that Nick and I feel that this incredible country needs to be shared with visual artists. Simply standing and taking in the emptiness, the moisture sapping dryness and eerie silence, can be a humbling experience. the act of crafting images in this otherworldly space is a true privilege. So I was extraordinarily fortunate to once again travel back to the desert in the company of two talented photographers during November for the second Composing the Dunes Workshop.
Read more at Composing The Dunes - The 2015 Trip Report
Posted by Emil von Maltitz at 1:30 PM