|The Nikon F4s - what I consider one of the most ergonomic, easy to use and rugged cameras ever designed. It was a sheer joy to use and even ended up being my primary body when shooting film, despite owning a Nikon F100 (image from Wikipedia)|
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Thursday, January 23, 2014
Posted by Emil von Maltitz at 4:24 PM
Monday, January 13, 2014
|Left to Right: Physical size differences between the Olympus E5 (traditional DSLR with optical viewfinder), OMD-EM5 (Mirrorless with electronic viewfinder) and Pen EP5 (Mirrorless without viewfinder)|
In the first part of this series (read it here) I discussed the size of sensor as a critical factor in deciding what camera to buy. I’m now going to look at the viewfinder as the next tick box in deciding what camera to opt for.
A few years ago the Four Thirds conglomerate (being Olympus and Panasonic) brought out what they called 'Micro Four Thirds' by removing the mirror from the camera. This meant that the optical viewfinder had to be done away with entirely. Thanks to digital, users could now see the image directly on the camera’s LCD screen. This meant for a considerably smaller and lighter camera than photographers were used to, while retaining most of the functionality of a full sized DSLR with optical viewfinder.
Posted by Emil von Maltitz at 2:38 PM
Friday, January 10, 2014
It’s the start of a new year and photography has seemingly never been as popular. Everyone is capturing moments and creating imagery whether it be with a smartphone or a DSLR (Digital Single Lens Reflex) camera. What with the recent glut of new cameras, with more announced in the early round of trade shows, and the drop in prices that follows every Christmas, a lot of photographers are looking at buying new equipment. More to the point a lot of people are looking at buying their first serious camera. This article is primarily intended for this first time buyer, but might be of interest to anyone who has been asked for advise on what to buy in the past. My thoughts below are obviously subjective, but having taught photography at various levels since 2000, they form a marginally educated viewpoint.
Posted by Emil von Maltitz at 11:25 AM